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[ LADY LEVER ART GALLERY ]
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In the early part of the century, pictorial embroidery became widely fashionable. Lord Lever had expressed his sentiments on many occasions that art should be an ingredient of everyday life and in his opinion, embroidery represented art fashioned out of sheer hard work. His residences in the Wirral, Lancashire and London were filled with needleworks, canvas-work pictures, embroidered mirror-frames, caskets and the like. Somewhat ironically, one of his collections (at Rivington) was entirely destroyed by a suffragette in 1913. The gallery collection is especially rich in examples of British embroidery with stunning examples of tapestries acquired between 1915 and 1920. .
[PAINTINGS] [FURNITURE] [GREEK/ROMAN] [CHINESE] [TEXTILES] [SCULPTURE] [WEDGWOOD] [MUSEUM] [ OPENING TIMES ] [ RESTAURANT & SHOP ] [ CHARGES ] [ EDUCATORS ] REPRODUCED
BY PERMISSION OF THE BOARD OF TRUSTEES OF THE NATIONAL MUSEUMS AND GALLERIES
ON MERSEYSIDE, LADY LEVER ART GALLERY, PORT SUNLIGHT.
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